20. The Greeks often interpreted their classical texts by allegorising themmenting on ancient poetry like the works of Homer, where the gods seem to act like capricious and vindictive humans, scholars explained this in a more religious and morally acceptable way by emphasising that the poet was expressing himself in an allegorical manner when he wished to describe only human psychological conflicts, the passions of the soul, using the fiction of war between the gods. In this case, a new and more spiritual meaning replaced the original one.
Jews in the diaspora sometimes utilised this method, in particular to justify certain prescriptions of the Law which, taken literally, would appear nonsensical to the Hellenistic world. Philo of Alexandria, who had been nurtured in Hellenistic culture, tended in this direction. He developed, often with a touch of genius, the original meaning, but at other times he adopted an allegorical reading that completely overshadowed it. As a result, his exegesis was not accepted in Judaism.
And so an inverse process was set in motion: the relation between the Old Testament and Christian realities was now restricted to a limited number of Old Testament texts
In the New Testament, there is a single mention of “things spoken allegorically” (allgoroumena: Ga 4:24), but here it is a question of typology, that is, the persons mentioned in the ancient text, are presented as evoking things to come, without the slightest doubt being cast on their historicity. Another Pauline text uses allegory to interpret a detail of the Law (1 Co 9:9), but he never adopted this method as a general rule.
The Fathers of the Church and the medieval authors, in contrast, make systematic use of it for the entire Bible, even to the least detail – both for the New Testament as well as for the Old – to give a contemporary interpretation capable of application to the Christian life. For example, Origen sees the wood used by Moses to sweeten the bitter waters (Ex -25) as an allusion to the wood of the cross; he sees the scarlet thread used by Rahab as a means of recognising her house (Jos 2:18), as an allusion to the blood of the Saviour. Any detail capable of establishing contact between an Old Testament episode and Christian realities was exploited. Interpretation then became arbitrary.
Certainly, the proposed teaching had a certain value because it was animated by faith and guided by a comprehensive understanding of Scripture read in the Tradition. But such teaching was not based on the commentated text. It was superimposed on it. It was inevitable, therefore, that at the moment of its greatest success, it went into irreversible decline.
In every page of the Old Testament, in addition, many direct and specific allusions to Christ and the Christian life were found, but there was a danger of detaching each detail from its context and severing the relationship between the biblical text and the concrete reality of salvation history
Thomas Aquinas saw clearly what underpinned allegorical exegesis: the commentator can only discover in a text what he already knows, and in order to know it, he had to Your Domain Name find it in the literal sense of another text. From this Thomas Aquinas drew the conclusion: a valid argument cannot be constructed from the allegorical sense, it can only be done from the literal sense. 40
Starting from the Middle Ages, the literal sense has been restored to a place of honour and has not ceased to prove its value. The critical study of the Old Testament has progressed steadily in that direction culminating in the supremacy of the historical-critical method.
Today, there is the danger of going to the opposite extreme of denying outright, together with the excesses of the allegorical method, all Patristic exegesis and the very idea of a Christian and Christological reading of Old Testament texts. This gave rise in contemporary theology, without as yet any consensus, to different ways of re-establishing a Christian interpretation of the Old Testament that would avoid arbitrariness and respect the original meaning.